Life of Pi, directed by Ang Lee, puts two schools of thought in direct competition: the objective sciences and religion.
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Film is chemically printed onto frames that are 35 millimeters wide. Each of these individual frames are capable of maintaining enormous detail, regardless of their small sizes. A light projector scrolls through the film reel and enlarges their images onto a silver screen at a rate of about 24 frames per second. However, the average movie-goer does not know everything behind this technical process. Similarly, the content, or the deeper meaning behind each film feels almost disguised. Ideas, political biases, and slanted philosophies are all incorporated into film in such a subtle way that they are completely hidden to the average movie-goer. Therefore, it only makes sense to become “projectors” in the figurative sense–to bring these messages to light and to take something as simple as 35mm wide frame and explore the extent of its complexity.